Wednesday, 15 July 2009

11.0 / Diamond in the rough / Emma Cook

What: Illustrator and designer
Where: Cape Town, South Africa
Website: Emma Cook

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Only a child…
I’m an only child and when I was little I’d love having my family and friends come over to my house. But I’d go from being very happy to very sad as soon as they left. I’d cry and throw tantrums until one day I decided to start entertaining myself and took up drawing. Then, I drew everything.

My parents are engineers and my mum would bring huge industrial-sized rolls of paper from work for me and I’d spend days drawing all over them. I had all the Disney movies and would watch them, then pause them and redraw the frame. That’s what I did. I drew lots of cartoons.


At school, I was the arty one and whenever we had assignments or we had to write a story and draw a picture to illustrate it, I’d help three or four people in the class because they were convinced that they couldn’t draw.

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I would always draw and carry around notebooks to doodle in – that was my entertainment. My parents worked late and I was always at aftercare so I would just sit and draw there. And the other kids would come and stare over my shoulder.

High school was much of the same. Everyone used to send letters to their friends in the different classes and would always do fancy headers on their letters. I drew the headers for other people’s letters. That’s what I did. And whenever there were plays I helped build the sets and design posters and did little things here and there. I did lots of little bits basically. I wasn’t the school star or anything like that. I just did lots of little things.

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Post-school…
When I was little I wanted to be an archeologist, a fire fighter or a sniper, which is probably why I like Call of Duty now. In high school, I really enjoyed biology and seriously considered doing forensics but I decided that if I ended up working with dead people I’d probably pull them out of the drawers and dress them up in party jackets or something! So I abandoned that idea and decided I wanted to be a cool art director, dress in all-black, wear funky glasses, smoke a lot of cigarettes and say ‘fuck’ a lot, which is pretty much what I do now except I’m not an art director.

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Introductions…
I really liked advertising and got into it through my dad. He introduced me to Benetton ads and collected them for me when he went away. There was once an ad with a picture of a baby being born and every advert was always amazing and different. I don’t think my dad knows it but he’s the one who got me into advertising. He started showing me the Benetton ads when I was little and I really looked forward to seeing them. At the time, I just enjoyed looking at them and later on I realised they were more than just images. They were about a product and the product had a personality. That’s why I decided to go to Vega and study to be an art director.

Well, I was going to be an art director but then I ended up taking graphic design. We did a foundation year and got a taste of all the different subjects – copywriting, multimedia, everything… but I wanted to do something more hands-on and be able to craft things.

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First job…
I ended up at the Am I Collective because my best friend at the time was convinced that he wanted to come down to Cape Town for his internship and I wanted to come down to Cape Town with him. In the end he didn’t come to Cape Town but I did. I just looked for Cape Town collectives and ended up finding the What If The World website where I saw some super cool images of a show that the Am I did. I thought they were interesting so I contacted them and asked them if there was any possibility that I could work for them. Then I ended up here as an intern for five weeks, where I sat in a little house with them and helped where I could and then they asked me to come back and do an internship and I just stayed on. Now I’m pretty much part of the furniture!

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Work vs play…
I try to do things in my own time but I’m not that confident. I end up giving up on most things I do in my spare time because I think I’m just not good enough. At work I have no choice. I have to sit down and work and make something pretty. That’s cool. I can do that because there’s the pressure of the deadline and it needs to be done. If I’m sitting at home I don’t always feel super inspired to make beautiful things. Every once in a while I can make a strange type face or something but it doesn’t happen very often. It’s just a confidence thing.

I started something last year and am doing it again – every time someone says something weird in the office like a single ambiguous line or phrase, I write it down on a post-it and stick it up on the wall. We’ve had some classic ones in the office like ‘I waxed my Greek friend’ and ‘The cheese is fast’. I’ve been illustrating some of those phrases or doing illustrative type for them.

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And I started working on a toy project recently. I know every designer’s done it already but I’ve always loved the Day of the Dead (El Día de los Muertos) – those awesome skulls with the patterns on them. On my of my random inspired days, I found a forensic layout of all 206 bones of the human body and I put those patterns on every single bone. Now I’ve made a skeleton character. I just need to figure out a way of making the body all hook together as a toy character that can stand.

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Highlight…

As a model student and suck up deluxe, I kept in contact with all my lecturers. I’m good friends with two of my lecturers and they asked me to come back and teach the third year illustration module (which I studied in my third year) recently. They thought it would be interesting to have me come in since I was an ex-student. It was really cool and lots of fun. I was standing up on the first day in front of about 60 kids and doing a presentation about the Am I – about what we do and who we are, telling them about the different processes we use that lead to specific results. They all looked really interested and it was cool seeing people react to things I do and things I know. There’s nothing quite like going back to teach people who indirectly make you realise how much you’ve learnt in just a few years.

I started off by giving them a brief, telling them what the industry’s like and working with them in class to help them with their illustrations. We read a couple of articles together to find interesting bits in the copy that would work well as illustrations and then I looked at everyone’s layouts and scamps and gave them advice – considering different layout options and collecting reference for their illustrations. It was great working with them and I’d go back in a heartbeat. Teachers always say ‘It’s the good ones that make the job worthwhile’ and that’s so true. It was a brilliant experience having students come to me for advice and take what I said on board.

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Obstacles…
Confidence is my biggest issue. I’m still working on that. I’m always really suspicious of people who compliment me. I used to be really confident at college but then I started working and realised how amazing some professionals are and my confidence got squished. It’s daunting stepping out of college and seeing how accomplished some of the people you work with are. I feel like I could never achieve what some of them have achieved or do what they're doing.
Inspiration…
I’m an internet whore. I’m constantly on the internet. I can’t help myself. I go on blogs and websites and have a folder that’s full of cool images I’ve downloaded from the internet. I don’t always go back and look at them but I just love looking at other people’s work, looking at what other people are doing and how they’re doing things – like making a beautiful line. I look at the way different people use lines. That’s my thing. I hate the way I do line work so if I find people whose line work is similar to mine but better I get inspired and spend ages looking at how they do their line work.

I like working in vector. I like building things. I like making a chunk and then another chunk and building on things. I make typefaces. Recently I did a typeface made from candy. I dabble in everything. I’m confused about my speciality. I’m an illustrator more than designer. I wasn’t bad at design at college. I came top of my class and got the design award but I can’t really design these days.

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I’d like to get into character design at some point – animation like Nickelodeon. I love their characters. One of my favourite things to do when I go home is slouch around on my dad’s couch watching Cartoon Network.
Pros and cons…
I like making pretty things. I like the whole process of making something from scratch, from a blank scary canvas to adding a colour, then another and then, suddenly, it all works – you finally get to grips with what you’re doing. When you get to the end, it’s a bit of an anti-climax because it’s more fun building something than it is finishing it.

The one thing I don’t like about being an illustrator is the whole super cool scene. Everyone in Cape Town is an illustrator or a designer and the majority of them are super trendy hipsters. It irritates me. They do great work, which I love but also have the time to go out and be super trendy. I guess I’m just jealous.

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Place of origin…
I don’t think I’ve had a ‘South African’ upbringing because I’m first generation South African. My family’s all British and Scottish. I grew up with BBC tapes that were sent from the UK. I think I had more of a British upbringing than a South African uone but if I were in Britain I’d say I had more of a South African upbringing so I sometimes feel like I am without a specific culture – I don’t belong to either which is kind of weird and sad.
Motivation…
Seeing other people do well makes me want to do well and try harder. Watching what they do and seeing them excel at the things they love makes me think, ‘God, I can do that!’ People motivate me. I love being around them, watching and listening to them.

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Inspiring people…
Kris is really cool. We sit and chat all the time and he’s taken time to sit and chat to me, especially when I just started working. He told me how the industry works and inspired me. He’s probably one of the best people I’ve ever spoken to and one of the biggest inspirations I have. Christo and Ruan are also really inspiring. When I first started interning, I remember I’d get to the house really early and Christo would be the only one there and we’d sit and talk about illustration, art and design and all sorts of funky things. I had so much fun on those mornings, just sitting around and talking about stuff with him.

All the people I work with inspire me. There was never anything like Am I Collective in South Africa when they first started it. It was great that they were able to take something that they loved and turn it into something so important and valuable. I hope that one day I could do half as well as they’ve done.

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Encouragement…
My dad is very embarrassing. Every time I go up to Joburg and his girlfriend’s around, he asks me to take out my computer so I can show her all my work. My dad always wants to know what I’m doing and likes to show other people what I’m doing too. He sends things to my family in Scotland so they can see what I'm up to. Both my parents have always given me every opportunity that I could ever want and they’d do anything for me. I’m so appreciative of everything they’ve done.

When I first said I wanted to get involved with the ad industry or the creative field they didn’t understand that I could make a living from it and survive, do cool stuff and get recognition. At first, my mum was adamant that I needed to get a degree, not a diploma. I had to get a degree! She said I couldn’t go to Vega at first because they didn’t have a degree programme but they introduced it when I was in Matric luckily. Now that my folks understand what I’m doing they’re very pleased that I’m doing something I enjoy and it’s all paying off.

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Average day in her life…
I set my alarm for 6.30am but I usually keep pressing the snooze button until about 7.30am. Then I get ready for work and head over to the office. I’m usually one of the first to arrive so I read emails and check out blogs and things to get inspired and then launch into the day’s work. Then we have the 12 o’ clock Shick Shack (Shick Shack is the ‘sound’ of Call of Duty). At lunchtime, we generally all sit together and talk about nonsense or talk about the last Shick Shack or the next Shick Shack. I head home in the evenings to work on my own projects or take work home. Every once in a while we all have a braai (bbq) or sometimes we’ll have an epic lunch and go out afterwards.

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Favourite places…
I like the National Gallery and the Company Gardens. I love parks because I don’t have a balcony or outdoor space at my flat. Outdoor breeze and grass is just great. And then there’s Hermanus and Kalk Bay as well. Kalk Bay’s where I first place I saw a whale. I’d just moved to Cape Town and was sitting at the Brass Bell and this huge creature came swimming around the pier and waved at us. I love the sleepy vibe of Kalk Bay. Nobody's in a hurry. It’s just very relaxed and not as hipster cool as Cape Town city. Everyone there seems more chilled out, going about their day, doing their thing and there’s nothing pretentious about it.

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Collections of stuff…
I collect fans, like old Chinese fans. I love fans. I like the way you can just flick them open and shimmy around being all dramatic. I don’t have many of them but if I see a nice fan, I will buy it. And I collect books – design books, illustration books. They’re like my treasures. My mum always told me when I was younger that you must never hurt a book. So in my book collection, spines are never bent and there’s not a dog-ear in sight. They’re still as perfect as when I bought them.

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I’d love to learn how to do proper old-school bookbinding one day and make books with type embossed into them, beautiful trims, all kinds of different materials and gorgeous spines, like the old volumes that you can get. I love paper too and would love to be involved with magazines somehow one day. Magazines are different to advertising. It’s nice to think that someone would actually carry a magazine around with them and page through it. Magazines are more personal. Advertising is something that is pushed on to people but they choose to buy magazines. Books, magazines and anything with pages are great.
On the side…
I love reading biographies and autobiographies. There’s so much I learn from other people by reading their stories. I grew up watching Monty Python and I just finished reading their autobiography. It was so interesting – because it took them years to get to where they got and they had to do so many different shows before they found each other. And even after they found each other, they had to get over little problems with each other. It’s very cool learning about other people and finding out what their story is. It always makes me think that even though I have a lot of feelings of inadequacy, it could eventually all work out for me some time. I can get it right. Other people have gotten it right so how hard could it be to crack the whole confidence thing?
Advice…
The book It’s Not How Good You Are, It’s How Good You Want To Be by Paul Arden is full of all the most brilliant advice I’ve ever read.

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Future…
I don’t know if I’d like to go overseas. I don’t know where I would go or what I would do. I feel like I need to be more involved with stuff over here before I can go and be more involved with stuff anywhere else. I’m also on my own little soul-searching mission and trying to figure out what I’m about so until I’ve got that all figured out I don’t know. All I know is that I have to be here in South Africa to do that.

I’m just going with the flow now. I’m not sure whether I’ll have a specific goal later in life but right now I just want to take it as it comes and if something cool presents itself then I’ll do it and see where it goes from there. I don’t want to avoid doing certain things because they don’t fit with a set plan. I'd rather not have a plan and let things unfold for now. I’ll plan later. I’m 24. I don’t need a plan. There are still a thousand things I need to do!
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Monday, 13 July 2009

4.1 / Nomadic transmutations / Michael Linders

What: Artist, illustrator and photographer
Where: Cape Town, South Africa
Website: a page a day

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The story…
My name is Michael Ilias Linders, however most people know me as Migi. I was born in Zurich, Switzerland. My immediate family immigrated to South Africa in 1987. We lived in Johannesburg and I went to school there. After school, I started working as a photographic assistant and in 2002 I went back to Switzerland for a while. On my return, I studied photography in Pretoria. And after my studies, I moved to Cape Town and have been living between here and various European cities since.

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I am living with a lovely lady and life just isn’t as good anywhere else as it is in Cape Town. I try to spend as much time on my own work as possible but lately I’ve done a number of freelance jobs. I’ve been working part-time as a university lecturer, on commercials (working in the art department) and as an illustrator. Every so often I shoot some pictures. I gave up on art for a very long time, as I was preoccupied with having a so-called career. These days, I am more focused on art practice and the bigger picture of making and doing things that I want to do now and which
will hopefully be able to support me one day.

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Now…
At the moment, I get up and walk across the park to my studio. I sit down, paint, draw, write, smoke and then walk back across the park (while trying not to get attacked by any dogs). I watch a lot of TV, read and eat once in a while. Then sleep some more. In my spare time I do much of the same – maybe sleep more if I have a hangover or it’s raining.

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Acquisition of skills…
I have always drawn. But I thought I couldn’t draw and was always embarrassed by my drawings. I still can’t draw but at least I’ve come to terms with the fact that I will never be able to draw realistically or with any kind of perspective that makes logical sense. I’ve come to love the way I draw as it is the way I see the world.

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Then and now…
I was shy and lived in my head as a kid. I’m not so shy anymore but I’m still living in my head.

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Talents, interests…
One of my talents is probably photography. I take a pretty decent photograph and know a fair amount about the history of photography and the subject in general. I really enjoy researching photography and finding references for shoots. I also work as a creative photography consultant every once in a while. I enjoy the finished photograph more than the process of taking of a photograph.

I really enjoy books, magazines and blogs. I need information all the time. Books are probably my greatest love – I love their textures, their smells and how they all sit together on a bookshelf and are always there for you, to rediscover them.

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Moving on up…
I always wanted to be a film director but that desire faded away over the years and developed into a desire to be a photographer. Photography fulfilled me for a few years. But I got to a point where I could no longer express everything I wanted to say through photography. So, I started drawing and painting again. I never really thought I was good at anything – I just progressed by doing what I was interested in and experimenting. It is just a continual progression that I hope never ends.

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Current projects…
I’m working on several projects and ideas, all based around the concept of trying to get back to the process of making more constant art. My process involves doing a certain amount of work each day relating to what I see on that particular day, in a daily diary format. My main project is documenting what I see in all the different media that I am exposed to everyday. This involves looking at books, magazines and the internet for images that interest me. Then I draw or paint the images on an A4 page. I try to do two to three pages a day.

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The series I’m working on will hopefully end up consisting of 250 pages, which will become a book. This’ll be similar to the self-published books I’ve done in the past – Random Lines and Can I leave it up to you, non-narrative illustrated stories.

I’m also making studies of volcanoes using different media, inspired by the idea that volcanoes were once believed to be proof of the existence of hell. I have a bit of a hard time using colour – most of my work is in black, white and tones of grey – but through painting, especially acrylic and watercolours, I’ve begun to see things in strong, flat colours. My paintings mostly depict a brightly coloured apocalyptic world. My work is based on reproduction, re-interpretation, re-evaluating and series as a whole.

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Pros and cons…
I like the freedom (when I have it) of making work I really want to do and actually enjoy. I don’t like having to do other work for money as it takes so much time to get back into doing the things I really want to do. I dislike not being paid for the work I love doing although I’m lucky that I do often earn money from it.

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Growing up…

I grew up in Johannesburg – I really liked it there. We always lived on farms with lots of space which helped my already over active imagination. I think my holidays in Switzerland and Italy, during which I saw a lot of classical art, really opened my eyes to the possibilities of self-expression. I started to understand that what I saw in Johannesburg was as important as what happened and what was happening in Europe. I could interpret what I saw around me and realised that it could be important or meaningful in the context of the world and my place in it.

Day in his life…

Everyday is always different. I’ve never had a 9 to 5. What my day will be like depends on whether I’m teaching, working on a film or just doing my own research. I try washing the dishes so my girlfriend doesn’t think I’m a sloth. I even wash my clothes, sometimes. Weeks go by so quickly – some are more exciting than others, some are just wasted (but hopefully not too many).

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Confidence…
Confidence is too strong a word – I don’t know if I am that at all. I just like doing things, even though I dream of being a world superstar!
Roots…
My family is very vast and spread across the world so the idea of culture and identity has always been very interesting to me. Most of my family live in Switzerland – some are of German descent while others are pure Swiss. I have family in Mexico, where my mother was born. I suffer from chronic homesickness and it’s rather confusing – it makes me a bit of a nomad.
The big hurdle…
To make some kind of a living.

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Lessons…
Just do it – produce the work, find the means, just make make make and make some more.
Collections…
I collect magazines, books, knives and old toys. I don’t collect as much any more because my girlfriend is a collector maniac but a good book will always make my heart race.

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When he's uninspired…
I normally stop working all together and spiral into a deep, dark depression. Then, usually after a few days, my depression becomes my source of inspiration and I see the light again.

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A few of his favourite things…
I love blogs, mainly fashion blogs, but lots of images of pretty things too – f&art, JAK & JIL BLOG, Gnarlitude, Geometrie Variable, Vvork and Them Thangs.
Relaxing, maxing…
I should exercise but I mainly just drink or something of that kind. When I sleep I relax. Other than that, my brain is burning holes in my eyes.

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If he could go back in time…
I wouldn't have bleached my hair in the 90s.

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Inspiring folks…
I admire Hans-Peter Feldmann, Raymond Pettibon and Robert Crumb.

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Plans…
Draw, kiss, paint, kiss, draw, kiss.

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Dreams…
Making money from just sitting in my studio – drawing, drinking wine and smoking cigarettes.

Best advice received…
Wake up!
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Tuesday, 7 July 2009

10.0 / Comme ci comme ça / Arthur Chance

What: Conceptual designer and artist
Where: London, UK
Website: Bones Magazine

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It started with a…
On some level, I’m a conceptual designer. I’m an artist who does lots of experimental stuff. It all started at school in the east end – I got really bored with schoolwork and started painting graffiti. That’s where it all kind of began. Graffiti got me into everything I’m into now. I remember seeing two people painting on a wall in east London. I was with my mum and remember asking her, ‘Can I do that?’ Then I thought to myself, ‘That’s what I’m going to do when I grow up.’

I used to go to Green Street Library and found a book on graff, with no pictures, just stories called Getting Up by Craig Castleman. There was a story about a writer called Lee who painted the first one-man whole car and took three days to paint it. It was an amazing story to read as a kid, almost like a fairy tale. It just made me want to paint. It was like reading Harry Potter and then wanting to ride on a broomstick.

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Getting it wrong…
When I was at secondary school (Lister Community School) I was a bit of a chief. I used to cause a lot of problems for myself and for a lot of other people. I wasn’t interested in school (that's probably why I can't count!). I got really bored with it. It didn’t make any sense to me, except for my art class. The art teacher would buy me books and tell me to go to different places. She’d let me bunk off school so I could go to art galleries. She’d say that I was with her while I’d go to galleries. I was 14 or 15 and I used to bunk off school and go to this hall of fame in Plaistow, where I met all these writers and started writing. Before that I’d paint in a burnt down cinema and get it all wrong. I got it so wrong the first time, it was the worst thing ever. I found a picture of something I did a few years ago, but then lost it again. I was kind of glad I lost it because it was horrendous. I painted the outline first and then tried to fill it in like painting a colouring-in book on the wall.

cbbc - golf from Oh Goodness Greatness on Vimeo.

At the minute…
I work at Fallon and it’s amazing! I do lots of different things. I work in a design studio and actually get to do what I really want to do with my life, which is just to kind of mess around with stuff until something good happens. Now I get paid for doing that! It’s been an education. In the year and a bit that I’ve been there, I’ve learnt a lot about a lot of things, including four fingers short cuts. They’re amazing! I couldn’t do them before. People took the piss out of me for taking so long to do things.
Proudly presents…
The first project I got to work on was amazing – making trailers for CBBC. It was surreal. We wrote a script that we couldn’t believe was actually made. Walking over the top of a hill on a golf course and seeing kids half buried in a golf bunker. I definitely broke a new boundary and someone was giving me money for it. Awesome!

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Rock Corp’s a charity run by Orange that gives out free tickets to gigs in return for help they receive with community projects. If you do stuff in your community you get a free ticket. Simple. We’ve been working on the artwork for their new print ads. I was going to be painting this huge billboard that was two bendy buses long and a double decker bus high. It was massive but it got pulled a few days before it was meant to happen. I worked on a video guide on how they should do their visuals.

I also worked on a VJ project for Sony in Berlin. We made eight films about different products. It was an artistic representation of each product’s selling point. I got to work with some of my long time heroes, Hexstatic and Michael Faulkner from D-Fuse. Mike’s a legend. He goes all out. We were was sitting in a hotel room at six in the morning and he was still rendering. At that point, I was so tired I’d fallen asleep and was about to fall off my chair.

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Sony IFA - Edge Light from Oh Goodness Greatness on Vimeo.

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Learning curve…
All the things I’ve learnt in my spare time have been a result of sitting in front of a computer and trying to work things out. At college, I was trying to push ideas, I’d try not to think about the limitations of an idea – I’d just keep going. Whether it was working in InDesign, on a computer, outside or on the radio station (which you'll find out about in a few minutes), I tried to just experiment. I’ve learnt from everyone I’ve met too.

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Spare time…
I generally sit at home on my computer. I’m really interested in human communication so I’ve been doing lots of weird stuff with video, sound and a digital magazine that I do called Bones. I’m trying to develop that and take it to the next stage. I’m basically trying to take it back to the world of analogue and see what happens. Bones as an idea that came from a magazine I used to do with Pete called Three for Free. I was interested in the human communication aspect of the project – us being able to share our ideas with people around the world. Bones was a result of what I learned from Three for Free and a university project called Filth, which came from the concept of using lots of different mediums to communicate an idea. It was gallery, a radio station and it was hodgepodge of different ideas. Bones became a way of delivering a magazine across the world for free and grew out of that experimental ethos.

How Is Your Speech Coming? from Arthur Chance on Vimeo.

The Head Of The Museum Board. from Arthur Chance on Vimeo.

More Filth…
I like doing lots of different projects using as many mediums as possible – just trying to learn as much as possible. Filth was my final project at university. It started off as an idea to do a gallery to show what was then called post-graffiti, which has since become street art. It was amazing because it was a natural evolution. First, it started off with people writing tags and stickers and it became this big thing. There were a lot of people I knew that were doing post-graffiti so I wanted to do an exhibition that still represented art, which belonged to the street in its natural environment.

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I found this place that was full of old bust up mobiles. You had to squeeze through a gap in the fence just to get inside. Then I set up a PO Box address and got people from all over the world to send me work and I put it up as it arrived. It was a way for people to work together who wouldn’t normally have the option to do so. People from the States working with people from Italy – it doesn’t sound that far apart but realistically at the time before the internet really took off it wasn’t going to happen under normal circumstances. That project snowballed into a few other ideas. One of the other ideas was an experimental pirate radio station. It was almost like a precursor to user generated content. I sent emails out to people from around the world saying, ‘I’m doing this project and it would be wicked if you could take part’.

This was just after the internet had started to become more of a thing people used so there was the ability to send big files but an mp3 would take a couple of days to download. The mystery behind Filth evolved into an elaborate story about five people who worked at and ran the organisation. The reason that the radio station even happened was a result of me pretending (via email) to be a women. Eloise became my female alter ego. She would talk to these radio nerds on forums so I could get the information and the links telling me how to do things. When I got the transmitters, I still needed help setting them up and figuring out what they did, with compressors and limiters. The radio station ran off a golf car battery and I’d never have found that out on my own.

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That little guy…
When I was kid, I was always really inquisitive. I used to take toys apart. I didn’t have a lot of toys so smashing them up was a big deal. I used to smash the toys up, take the wires out, take the motors out, link a couple of motors together and just pulls things apart. I was just massively inquisitive. I was really quiet as a kid and then puberty happened and everything went wrong for a little while. I like to say that I came out of my shell at that point. I was really sort of like, I’m going to say, 'bipolar'. There’ve been polar aspects of my life where I’ve really been this way and then really been that way. Now I’m a product of both of those sides of myself. I’m still inquisitive but I can still massively annoy people.

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I still have really similar passions now as to what I had when I was a kid. I was really passionate about science and communication. I’m passionate about a lot of things. I’m bloody Kashmiri! I’m fiery and passionate all the time, I get upset about everything. Seriously, I’m an emotional wreck.
Home sweet home…
I was born in Forest Gate. I’m an official Cockney. I love my pie and mash! I grew up in Stratford, then moved to Manor Park and then back to Forest Gate again. I’ve done a little tour of the east end of London. By 14-15, I was going round the whole of London, I’d just paint on the weekends and go and see different parts of the city. My family are mental yet lovely. They’re all Kashmiri so are also passionate about everything.

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My dad used to work all hours of the day just so he could put food on our table and my mum was a housewife. There was nobody pushing me to do anything with my life but I was given the choice to pretty much do whatever I wanted. As long I tried hard, I could to do it.

My little brother and sister are amazing individuals but they are on a massively different path to me. I have a huge extended family. I’ve got people all round the world! Everywhere I go, there’s family, all from Kashmir, all somehow related and all bloody mental.

When I had to first communicate with the outside world I realised that shouting at people was not the way things happen, shouting is not a way of communicating. If I spend time with my family, I come back and start shouting at people. I’m not being rude. I’m just talking to you, goddamn it! There’s always a lot of burping and a lot of punching the table. I even do that now, when I’m trying to express a point. I’m not being angry or rude. It’s just me going, ‘It’s my turn to talk!’.
Day in his life…
I’ve just got into cycling everyday. I cycle into work. Work takes up most of my days and then in the evening, I either read, do my own work or go on more bike rides. Most of this year, I’ve been a really boring person. I don’t go out anymore. I just go round on my bike. I’ve just moved into a really amazing house so I spend a lot of time indoors. It’s a real luxury since moving out of my mum’s. I can even smoke in bed. I don’t have to put towels down under the door and my clothes don’t have to smell of Lynx Africa.

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Stepping stones…
At school I didn’t get good GCSE’s, not because I’m stupid (except for the not-being-able-to-count thing. I’ll give the GCSE people that one). I really wanted to do a graphic design course and got interested in how it was the way the world communicates. Through graphic design people can communicate a message. And if it’s good you can communicate your message even more effectively.

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I went for a couple of interviews at different colleges. The course I really wanted to go to and the one I ended up at was at Newham College. It was unbelievable. The woman that ran it, Francis, is an absolute legend. She changed my life. She’s the one person I can say made a massive impact on everything I do now. She was like, ‘You can do anything. You’ve got 5 GCSE’s. My results came out and the subjects that I tried hard at were the ones I did well at. I got an A* in English and there were a couple of B’s and C’s but the rest where D’s and F’s. Maths was so shit, I don’t even want to tell you what that one was.

Later on, after I started college, Francis told me that the only reason she let me on the course, even though I didn’t have enough GCSE’s, was because when I came to the interview I impressed her. I was really tired on the day and she asked me, ‘What’s the matter with you? You’ve come to an interview but you look absolutely ragged. What’s your problem? Have you been out or something?’ I basically told her that the night before I’d been painting and spent the night hiding under a platform. I fell asleep under that platform and when I woke up I had to climb out when the cleaners came. Then I had to come straight to the interview. She said she realised then that I must really give a shit about what I do so let me on the course.

On the course, my mind went through a massive expansion. I learnt and thought about a lot of new ideas. Francis would say, ‘Read this philosophers work. You’d really like it and understand it.’ The books would blow my mind. There’s a French philosopher called Jean Baudrillard who had this amazing quote that I read ‘Believing in truth is… a weakness of understanding’. It’s my most favourite quote in the world. Francis fostered the part of me that made me who I am today. My last bit of work at college was a room with a weird installation piece that had fishing line all around the piece. It was about a guy who’d been consumed by a single idea. It was really out there. I learnt about narrative then and Francis helped me find myself.

Renoise Type Test from Bones Magazine on Vimeo.

After Newham, I applied to loads of different places. I applied to St. Martins, I applied to Camberwell and all these different places and I thought, ‘I really have to get into one of them!’ Francis recommended another course. She said, ‘Go and spend some time with my friend in Leeds.’ She was friends with the course leader of Visual Communication in Leeds – they’d known each other for years. She told me that’s where I needed to be. I went up, had the interview and they offered me a place. I didn’t get into St. Martins or anything else. I was kind of moaning about that at the time but when I got into Leeds I just thought it was karma or something because it was amazing. It was a great three years that I wouldn’t have had if I stayed in London.

It was good for me to get out of London. It made me realise that Bradford and Bingley weren't two guys and Halifax wasn’t just a bank. And I met Yorkshire people, fucking hell, the best people in the world! I absolutely love Yorkshire people! When I came back down to London after three years, I’d developed a hardcore accent. It took a little while to disappear. I still can’t say ‘do you want anything from the shop?’. It’s ‘do you want owt?’ I still like to slip in ‘nowt’ and ‘owt’ every now and again.

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It could be better…
I dislike not being able to do more stuff, not being clever enough… There’s a lot of stuff that I’d still like to do. What I like about what I do is that I consistently see things that blow my mind – digital creativity is really expanding at the minute, in such away that it’s moving faster than people can use each one of the concepts to its full potential.
Life's hurdles…
The biggest obstacle that I’ve had to overcome is my laziness. And growing up in the part of London that I did, where there are not a lot of opportunities for you to discover your ambition.

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Lessons…
It going to sound like such a cliché but you literally can do whatever you want to do. You need absolute, 100% confidence in what you are doing. It’s not about being arrogantly confident, it’s just about having confidence. You musn’t think, ‘I can’t do that because I don’t know how to.’
Places of inspiration…
My favourite places are all the canals around Old Ford. It’s really nice to walk around there – really, really quiet. Drummond in Norway, where the mountains are pretty beautiful and the mountains in Kashmir are pretty awesome as well. And more than anything, I really enjoy being in cities, where there’s loud noise. I really like that. I really like being in London. It chills me out.
Reading list…
I read lots and lots and lots of magazines: o32c magazine (an amazing German magazine), Fantastic Man (another great new magazine), New Scientist, Economist, Monocle and Wired (they’ve just brought out their new UK edition). I read more magazines than anything else. Because of Bones, I have to read lots of other magazines to see what everyone else is doing.

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I’ve just got a stack of new books. I get lots of new books about a certain subject and then try to read them all in a certain amount of time. I’ve just finished Iliad, which was amazing. I’ve got a lot of new books on rhetoric, about learning how to argue with people instead of just shouting and punching the table. The Wasp Factory by Iain Banks, The Instruction Manual to Native Instruments Machine, Persuading People: An Introduction to Rhetoric by Robert Cockcroft and Susan Cockcroft, which is a really shit title – I don’t want to persuade people I just want the introduction to rhetoric! There's also Psychopathia Sexualis by Kraft-Ebbing, which is a mental book by the way, and I keep coming back to In Search of Schrodinger's Cat by John Gribbin. It’s an introduction to quantum mechanics. It’s fucking great! At the moment, I’m really getting into Belgium New Beat for the next issue of Bones. I’m trying to get an interview with this guy called Frank De Wulf.

I’ve been getting my head around Ableton Live. I’ve just moved from using Renoise, which is a tracker that looks like a spreadsheet. Once you get into it, it’s really good but everyone has been going on about Ableton Live for ages. I’m just starting to get my head around it. You can also control visuals with it now so I’ll be able to make music and run video stuff at the same time. Amazing!


Moving image…
I’ve also being getting into using Quark Composer, which is a free application that comes with Mac OS X. What I’m trying to do is bring together all the different things I’m experimenting with – the videos, the music, the interactive stuff. Quark Composer now let’s my Wii remote talk to my video stuff, do sound reactive visuals really quickly and do all these amazing new things – anything you can think of. It’s really easy to create them instantly and make all of these different things talk to each other.

A lot of the things that I’ve learnt have been from online tutorials. It’s an unbelievably amazing phenomenon – what’s happening with the internet. I can’t think of anything that you would want to do that you can’t go online and find a tutorial about. I haven’t made any tutorials yet, the only one I can think of doing is a tutorial on how to find other people’s tutorials.

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Different paths…
If I had to do the first thing that I really wanted to do, I would be in space right now or I’d be really rich because I’d have told everyone how to go faster than the speed of light. When I was kid I used to draw pictures of my ideas. I actually found one the other day and I’d drawn a nuclear weapon. It was insane. I shouldn’t even be talking about this type of stuff. It’s going to come back and bite me on the arse!

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Websites…
I go on lots of sites (digg, Make: Online, Synthopia, MIT Media, TED, reddit, dataisnature, My Modern Metropolis, ILoveBadThings, Current News, Stockholm Beat Connection, WEDOITRIGHT) but the best one is where someone's put up the Frasier episodes. I watch Frasier all the time. The other day I was watching TV and saw a Frasier show that I hadn’t seen before. I was the most excited I'd been all year!

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Next on Planet Bones…
It’s going to be a complete change from the last ones. It’s time to start something new. The new issue is going to be printed on one side of an A2 piece of paper. It’ going to be interesting to see what I can do with the format, what kind of artwork we can put in there. The best thing about it is that it’s going to be fly posted around different cities and different parts of this city. You will also be able to download it as usual. The video and music work are still going to happen. It’s all about trying to make it a more amorphous. If more music comes in from contributors, I’ll put more music out too and just let it grow.
Do like he do…
Learn! Learn a lot of stuff. Just go out there and do it. There’s nothing else. Apply the graff philosophy to everything – the more you do, the more famous you become. Any time you’re in doubt, just think ‘graff’. If you just keep doing stuff, something will happen. That is the graff mentality.
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